Illuminated manuscripts, like this one of the Buddhist deity Sahasra Pramardini, were only still being made in Nepal during the Indian persecution of Buddhism and consequently Tibet during the mid-ninth century through the start of the eleventh. Illuminated manuscripts like this one helped both Tibetan Buddhist teachers and students bring the famous teachings back to central Tibet.
Buddhism, which flourished when first introduced to Tibet in the middle of the seventh century, experienced a time of decline beginning in the second half of the ninth century continuing through the end of the tenth. This can be attributed to warfare fought among the Tibetan, Uighur Turks, and Chinese that had been brought on by the frequent changing of allies causing great imbalances in political power.[i] These battles, which were often and high in damage and causalities, eventually created a massive financial debt within the Tibetan Empire that fed off the resources that were quickly disappearing. The lack of resources, natural and human, forced Tibet into signing peace treaties with China that ensured the end of  “the era of Tibetan expansion in Inner Asia”[ii]. The remaining debt in Tibet, now halted from the profit found in expanding, had nowhere to come to rest except on the Tibetan people themselves. This came in the form of taxation and with no organized system of power, central Tibet collapsed. The debt affected every aspect of Tibetan culture, and even Buddhist monasteries and temples had a major drop in financial support from the government.  Previously, historical legends recounted an extremely violent and massive persecution of Buddhism in Tibet stemming from a king who had turned his back on the religion[iii]. However, most historians agree that this is most likely an example of legends being taken to heart and attribute finanical problems as the real cause;
“ It seems possible that the persecution, despite its great importance in later thought, was in essence a withdrawal of funding, no doubt due to a poor current-accounts balance rather than to anti-Buddhist sentiment, that came to be very much exaggerated in its retellings.”[iv]
Image courtesy of Naresh Shakya.

— Mapping Cultures: The Fall of the Tibetan Empire and a Decline in Buddhism
Indiegogo | Asianhistory | US History Minus White Guys

Illuminated manuscripts, like this one of the Buddhist deity Sahasra Pramardini, were only still being made in Nepal during the Indian persecution of Buddhism and consequently Tibet during the mid-ninth century through the start of the eleventh. Illuminated manuscripts like this one helped both Tibetan Buddhist teachers and students bring the famous teachings back to central Tibet.

Buddhism, which flourished when first introduced to Tibet in the middle of the seventh century, experienced a time of decline beginning in the second half of the ninth century continuing through the end of the tenth. This can be attributed to warfare fought among the Tibetan, Uighur Turks, and Chinese that had been brought on by the frequent changing of allies causing great imbalances in political power.[i] These battles, which were often and high in damage and causalities, eventually created a massive financial debt within the Tibetan Empire that fed off the resources that were quickly disappearing. The lack of resources, natural and human, forced Tibet into signing peace treaties with China that ensured the end of  “the era of Tibetan expansion in Inner Asia”[ii]. The remaining debt in Tibet, now halted from the profit found in expanding, had nowhere to come to rest except on the Tibetan people themselves. This came in the form of taxation and with no organized system of power, central Tibet collapsed. The debt affected every aspect of Tibetan culture, and even Buddhist monasteries and temples had a major drop in financial support from the government.  Previously, historical legends recounted an extremely violent and massive persecution of Buddhism in Tibet stemming from a king who had turned his back on the religion[iii]. However, most historians agree that this is most likely an example of legends being taken to heart and attribute finanical problems as the real cause;

“ It seems possible that the persecution, despite its great importance in later thought, was in essence a withdrawal of funding, no doubt due to a poor current-accounts balance rather than to anti-Buddhist sentiment, that came to be very much exaggerated in its retellings.”[iv]

Image courtesy of Naresh Shakya.

Mapping Cultures: The Fall of the Tibetan Empire and a Decline in Buddhism

Indiegogo | Asianhistory | US History Minus White Guys


Map of the Tibetan empire at its greatest extent between the 780s and the 790s CE.

The Tibetan Empire once covered land that includes the countries of: India, Afghanistan, Nepal, China, Bangladesh, Bhutan, Burma, Kazakhstan, Pakistan, Kyrgyzstan, and Tajikistan. 

Indiegogo | Asianhistory | US History Minus White Guys

Map of the Tibetan empire at its greatest extent between the 780s and the 790s CE.

The Tibetan Empire once covered land that includes the countries of: India, Afghanistan, Nepal, China, Bangladesh, Bhutan, Burma, Kazakhstan, Pakistan, Kyrgyzstan, and Tajikistan. 

Indiegogo | Asianhistory | US History Minus White Guys

jayaprada:

Samarkand Gur Emir Mausoleum, Uzbekistan

“Every culture and religion has their own particular understanding of the relationship between the divine and the world. This implies a certain manner of unfolding, which informs theology, art and architecture.

The term fold in ancient Persian culture and language is often synonymous with the definition for sides of a polygon. For Instance, an octogon is referred to as an eight-folded geometry and the interior of the polygon is called its body. Translation of this definition in architecture brings great importance to the folds or the edges of space dividing geometry. The main trait of traditional Persian architecture is based on the notion of creating an earthly paradise through series of subdivided gardens, water canals, and indoor and outdoor rooms. Thus, the geometric folds become the defining borders for enfolding material differentiation. This garden design philosophy called Chahar Bagh (four gardens) has influenced the design of gardens from Taj-Mahal to Alhambra and beyond.

However, after the 8th century the notion of material articulation was overshadowed with the introduction of Islamic architecture to the Persian culture which reinforced the use of more complex geometric forms in order to create elaborate tile patterns often referred to as quasicrystals. A quasicrystal formation is based on arrangement of a set of polygons (often five to twelve sided) to create complex tiling patterns. This application of pattern intensity is rooted in the Islamic believe of transfiguration and transformation as an essential part of material life. The application of quasicrystal patterns, whether as an architectural style, textile design or calligraphy, becomes a way of representing the world around less substantial and articulated. In this notion the pattern becomes a tool for de-materialization of architecture. The scale differentiation of monocentric quasicrystal patterns on dome ceilings introduces a forced perceptual trajectory for the visitors. This focal point of pattern deformation creates a sensation of lightness in the ceiling of the space and creates the idea of arriving from geometric multiplicity to formal unity and reinforces the notion of infinity in the space.

A Deleuzian might object that Islamic art and architecture cannot be a playing field for real creativity because its purpose is to direct the worshipper toward God. But, one can argue that Deleuze’s notion of the folds in the soul inspired by Gottfried Leibniz’s theories of Monads as centers of force, are based on the idea that a fold is always influenced by a force and is constantly imposing force on to its adjacent fold. Deleuze states that, “the world must be placed in the subject in order that the subject can be for the world. This is the torsion that constitutes the fold of the world and of the soul.” [p.26] Therefore, one can argue that the same force interplay between a subject and the world could also be applied to analyzing the relationship between an elaborate quasicrystal pattern on a ceiling and an observer. This force interchange allows great deal of individual interpretation, encourages endless curiosity, and creates a perceptual and contemplative venture into the infinite for the person experiencing the space.”

emystomology:


“The Mir-i Arab Madrasa was built across from the Kalyan Mosque in the 1530’s, during the reign of Ubaydallah Khan, in Bukhara. It has continued functioning as a madrasa until the present. Like the Kalyan Mosque, the madrasa exhibits a traditional four-iwan courtyard plan….the structure’s namesake, Mir-i-Arab, was a 16th-century Naqshbandi sheikh from Yemen. He had a powerful influence on the Shaybanid ruler Ubaidullah Khan and also financed the original complex…”
 

emystomology:

The Mir-i Arab Madrasa was built across from the Kalyan Mosque in the 1530’s, during the reign of Ubaydallah Khan, in Bukhara. It has continued functioning as a madrasa until the present. Like the Kalyan Mosque, the madrasa exhibits a traditional four-iwan courtyard plan….the structure’s namesake, Mir-i-Arab, was a 16th-century Naqshbandi sheikh from Yemen. He had a powerful influence on the Shaybanid ruler Ubaidullah Khan and also financed the original complex…”

 

(via emystomology-deactivated2013040)

mikicafee:

Shah-i-Zinda by liamroberts7 on Flickr.
— Shah-i-Zinda 


A labyrinthine mausoleum complex in the northeast of Samarkand, Shah-i-Zinda is a huge array of tombs to former royals, generals and illustrious characters from the era of Tamerlane. The complex features a tremendous range of turquoises and navies, elegant tileworks and ornate inscriptions.

mikicafee:

Shah-i-Zinda by liamroberts7 on Flickr.


Shah-i-Zinda

A labyrinthine mausoleum complex in the northeast of Samarkand, Shah-i-Zinda is a huge array of tombs to former royals, generals and illustrious characters from the era of Tamerlane. The complex features a tremendous range of turquoises and navies, elegant tileworks and ornate inscriptions.

(Source: didier-emotion)

The Bubonic Plague in Asia

beyondsilkroads:

theskaldspeaks:

asianhistory:

The Black Plague is famous in the Medieval period in Europe for having wiped out one-third of Europe’s population. But the plague was even more devastating in Asia. The Bubonic Plague also has much less artwork of how it affected Asia as opposed to Europe and Asia’s history with the Bubonic Plague isn’t as documented so it isn’t exactly clear how much it influenced culture, though it did influence history.

It is theorized that the Black Plague originated in Eurasia in the 13th and 14th centuries. Because the Mongol forces took over a large part of Asia, including China (the Yuan Dynasty), Korea (then Goryeo), Mongolia parts of India, parts of Siberia and into Tibet, Vietnam and far into the Middle East, there was a large mix of culture at one time.

It started in force when the Mongol horde was fighting against European forces in Caffa, present day Crimea, which was a seaport for Italian merchants. The Mongols besieged Caffa but started to die off from disease rather than fighting. The Mongols were forced to retreat thanks to the encroaching disease but not before hurling the bodies of their dead over the walls to spread the disease to them. From Caffa it reached Italy and spread into Europe.

The Mongolian Empire coincides with a great influx of trade from the Silk Road which only facilitated the spread of the virus into Asia. The Silk Road connected Italy to Persia, to the Middle East, to India and into China and Mongolia. While a normal virus might not have been able to spread so fast, the new opened trade routes made it very easy to spread to Asia. 

Read More

So…. the Black Death is what stopped the Mongols from taking Europe, essentially?

That’s hard to say, since it didn’t come to pass but my guess would be the Black Plague kept the Mongols from advancing further into Europe. I assume by “taking” you mean all of Europe but the Mongols were in East Europe. It depends on how you define Europe and Eurasia but the Mongols had made it as far west as Moscow and Kiev, into Turkey, into some of the Slavic countries and almost into Scandinavia.

I’d say the Black Death helped topple the Mongols but it sped up the process. When the Mongols took over land, the Great Khan would put one of his sons or a relative or someone he trusted into positions of power in those states which became known as khanates. The “lesser” khans would then be the regents to the Great Khan. 

The Mongols then faced what had happened to the Roman Empire where people would make power plays or not get along with the Great Khan. Towards the end, it was probably more of an Empire in name only. With the Black Plague, it created great shortages in manpower so soldiers would die off, guards would die off and regular people would die off. What that did was it weakened some of the khanates. For instance, Yuan (China) had a bad economy from it and some khanates started to fall apart or collapsed from within. The result became that more and more khanates became more independent. So countries like Bulgaria, Crimea, Iran, Iraq and the various -stan countries started to become their own countries and not part of the Empire. 

But you could see the Black Plague as having stopped the Mongols, yes. Although it’s my personal belief that an Empire of that size with so much territory is only as effective as long as its leaders and regents are nice to each other, the Plague made the Mongols pull back and have to deal with problems of their infrastructure. It probably wouldn’t have helped that the Great Khan put his family members in charge of territories. If European history has taught us anything it’s that wars of succession tend to be the most bitter. If the Great Khan had died, imagine so many territories with their own armies and forces and resources are now going to vie for power to be the Great Khan. I believe, and I could be completely wrong since it never came to pass, that had the Empire continued to expand unchecked, the Empire would have broken apart and split into warring nation-states all trying to be Great Khan and command authority over the others.

I suggest they read The Secret History of the Mongol Queens: How the Daughters of Genghis Kahn Saves His Empire, and Genghis Kahn and the Making of the Modern world, which both explore these topics in layman writing. 

There was a female Mongolian representative/diplomat in Paris, France but as I recall from The Secret History, that didn’t end up being well received in France.

The Bubonic Plague in Asia

The Black Plague is famous in the Medieval period in Europe for having wiped out one-third of Europe’s population. But the plague was even more devastating in Asia. The Bubonic Plague also has much less artwork of how it affected Asia as opposed to Europe and Asia’s history with the Bubonic Plague isn’t as documented so it isn’t exactly clear how much it influenced culture, though it did influence history.

It is theorized that the Black Plague originated in Eurasia in the 13th and 14th centuries. Because the Mongol forces took over a large part of Asia, including China (the Yuan Dynasty), Korea (then Goryeo), Mongolia parts of India, parts of Siberia and into Tibet, Vietnam and far into the Middle East, there was a large mix of culture at one time.

It started in force when the Mongol horde was fighting against European forces in Caffa, present day Crimea, which was a seaport for Italian merchants. The Mongols besieged Caffa but started to die off from disease rather than fighting. The Mongols were forced to retreat thanks to the encroaching disease but not before hurling the bodies of their dead over the walls to spread the disease to them. From Caffa it reached Italy and spread into Europe.

The Mongolian Empire coincides with a great influx of trade from the Silk Road which only facilitated the spread of the virus into Asia. The Silk Road connected Italy to Persia, to the Middle East, to India and into China and Mongolia. While a normal virus might not have been able to spread so fast, the new opened trade routes made it very easy to spread to Asia. 

Read More

afternoonsnoozebutton:

nprfreshair:

Boston.com:







Research scientist and National Geographic Emerging Explorer Albert Lin gallops across the steppes of northern Mongolia as he searches for Genghis Khan’s tomb and other archaeological sites. (Photo by Mike Hennig)








Albert Lin is a major badass. He’s an archaeologist who uses groundbreaking technology to figure out what’s below the surface without ever actually breaking the soil.
On top of being incredibly cool, this new, noninvasive approach to archaeology is more culturally respectful and much less destructive.

Also, he’s a pretty good looking guy. Move over, Indiana Jones.

afternoonsnoozebutton:

nprfreshair:

Boston.com:

Research scientist and National Geographic Emerging Explorer Albert Lin gallops across the steppes of northern Mongolia as he searches for Genghis Khan’s tomb and other archaeological sites. (Photo by Mike Hennig)

Albert Lin is a major badass. He’s an archaeologist who uses groundbreaking technology to figure out what’s below the surface without ever actually breaking the soil.

On top of being incredibly cool, this new, noninvasive approach to archaeology is more culturally respectful and much less destructive.

image

Also, he’s a pretty good looking guy. Move over, Indiana Jones.

(via rubato)

ajammc:

Lots of beautiful photos from Afghanistan on our dash today. 
Reminds us of some of our articles on Afghanistan and Afghan diaspora. This picture from one of our earlier articles, of Mazar-e Sharif. Gorgeous, right? 

ajammc:

Lots of beautiful photos from Afghanistan on our dash today. 

Reminds us of some of our articles on Afghanistan and Afghan diaspora. This picture from one of our earlier articles, of Mazar-e Sharif. Gorgeous, right? 

76945-costume-research—and-more:

THE TAJIK CHAPAN

A chapan is a long-sleeved calf-length men’s coat or cape worn over clothes. These coats are typically made of silk, usually in combinations of green, black, purple, yellow and beige. They are adorned with intricate threading and come in a variety of patterns.

The chapan is worn in Central Asia, including Afghanistan, Kazakhstan, Kyrgyzstan, Tajikistan and Uzbekistan and other surrounding countries. Afghan president Hamid Karzai is often shown wearing a chapan.


Today the robe is heavily quilted but for special occasions to honor individuals gold embroidered velvet and more elaborate designs are commissioned. In Uzbekistan the multicolored silk cloth known as Khan Atlas or King of Satins is created from a dyeing & weaving technique called Ikats. 

You can see  good collections of the old & antique Chapan at the Museum near the Sitorai Moxi Khosa or the Summer Palace of the Emir of Bukhara.
Nearer to home, perhaps at the Kuala Lumpur Islamic Museum you can see some of these beautiful Chapan on display together with other exhibits from Central Asia. I must say, they do have beautiful display at the Islamic Museum in Kuala Lumpur

Source ‘1


 source 2


(Source: 76945-costume-research-and-more)